
BeatWeek (formerly iProng) interview from January 2009
When you sit down to write a pop song, what’s your approach for writing a song and trying to make sure it fits into pop music?
It’s got to have that undeniable melodic big chorus. It’s something that I’ll really, really look at, and I don’t know how to explain it, it’s like the song comes on and that thing kicks in, and you just know it’s a hit record. It’s not really explainable. I always say that the best songs ever written kind of write themselves. You start writing the melody and then you get the lyrics real quick and then it just kind of goes. If it takes you longer than, like, ten to thirty minutes to write a song, it’s probably not a good song.
Just Dance is your big hit single right now. Is there a deeper message behind that song, or is the message really “Just Dance”?
There’s a couple messages. The song is really an ode to New York and being out in the clubs, getting too drunk and you really should go home, but instead of going home you just dance through it and get yourself through the night. But I think on a deeper level, the song is about pushing through in general. I was at a time in my life when I was writing record after record after record, looking for that undeniable first single, and Just Dance was my hit.
Have you ever been watching and one of your songs randomly comes on and you didn’t know it was going to happen?
That happens all the time, and I call the record label and I’m like “oh my god, I didn’t know that song was on that show.” There have been so many licenses recently that I don’t even hear about all of them. But that makes me feel great because it tells me that my goal, which was to analyze and reckon and struggle with ideas about pop culture, it’s really working because all of these shows that are so emblematic of modern television and modern film and modern movies and modern club shows, it’s like they’re all gravitating towards my stuff, because I guess it’s speaking to something that’s very today.
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